Back to the farming future

It would be wrong to romanticise the rural life of the past, which often involved relentless, back-breaking work. But these paintings can certainly impart a wealth of agricultural wisdom, which is just as relevant today. They depict more sensible ways of farming that nurture the land, respect people and animals, and produce high-quality food.

Although the free-range systems illustrated by these artists do still exist in certain forms – thanks to a band of forward-thinking farmers – they are increasingly a minority.

How are today’s artists responding?

Farm animals are now often kept out of sight, off the land, confined inside huge facilities with little or no fresh air or natural light. England’s "green and pleasant land", described by poet William Blake in the early 19th century, is not as green or as pleasant as it once was. In fact, with the rise of industrial agriculture, these four words are becoming less and less relevant by the day.

So how would an artist depicting our current intensive-livestock systems get on? Look to the works of British artist Mishka Henne (as reported in Wired magazine) for your answer. His endlessly grey images depict vast feedlots in the US from above, and are so colourless that the artist has to enhance the tone of the waste lagoons to break the monotony of the scenes. With their almost apocalyptic feel, these works couldn’t be less like the magnificent, undulating fields of the pre-industrial agricultural era.

Reimagining a green and pleasant land

There is much that we can learn from the agricultural scenes above. They all show livestock farming that puts animals on the land rather than in factories, and works in harmony with the natural world, producing more nutritious food in the process. If we can turn the tide, we may well encounter a new generation of artists reimagining our green and pleasant land. Not exactly the same, of course, but still colourful, vibrant and full of life.

Painting a picture of a food revolution